![]() There may be varying levels of promotion at different times, but we are doing everything we can for your work to reach as many people as possible.” That link directs to a notice labeled “ORIGINALS Creators Update - Increasing transparency and improving processes at WEBTOON” that includes payment details and reads, in part, “While we cannot guarantee success for everyone, we’re committed to providing the best chance for success by building a platform where story and art can instantly attract millions of readers. We recently shared an update with all creators to provide more transparency into how our business works and outline upcoming changes we have planned, which can be found here: ” “Creators are always our top priority, and we’ve been clear that we’re working to make real changes for creators, providing more tools and support. “We’re saddened to see any creator leave, but we believe in creators controlling their work and destiny,” the statement reads. In response, WEBTOON released a statement to Popverse. “No one is more disappointed with this outcome than I am,” she wrote, before promising that Let’s Play will return at a new venue, to be announced “when the time is right.” ![]() In addition to her personal experience, Krecic cited others’ concerns with the company, noting the controversial “side hustle” ad campaign, and pay disparity for Latin American creators, in addition to “the ongoing lack of transparency and errors in accounting that I’ve experienced personally.” Earlier this year, production company Allnighter announced plans to adapt the series into a live-action television project. With somewhere upwards of 3 million weekly readers, it was a significant success for the platform, and was later brought into print via Rocketship Entertainment. The Eisner nominated series - about the professional and personal lives of a female video game developer dealing with the male-dominated industry - had been running on WEBTOON since 2016. These issues, among many others, have made me feel marginalized and that WEBTOON does not value Let’s Play or me.” My representation has voiced these concerns and others to the necessary individuals at WEBTOON, but the blame was reflected back at me for incredibly far-fetched reasons. But some concerns include Let’s Play being excluded from marketing, despite promises to the contrary, and placing LP behind an age gate when there are series with far more controversial content that isn’t restricted. There have been ongoing difficulties for several years, most of which I can’t discuss, nor is this the appropriate forum. “This was an incredibly difficult decision, and no single event led to it. “I will not be returning with season 4 of Let’s Play at WEBTOON,” Krecic wrote. Krecic, who also uses the psuedonym Mongie, revealed that her Let’s Play series would no longer be appearing on WEBTOON. In an open letter posted to her website (as well as on her social media channels), Leeanne M. The creator of a popular series on WEBTOON has announced that they’re leaving the platform due to “ongoing difficulties for several years.”
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